Production Sound Equipment
(partial list)

Mixers: Sound Devices 442, Sound Devices 302, Wendt X4, (2) Shure FP-33, Mackie 1402VLZ;
Recorders: Sound Devices 744T, Tascam HD-P2, Tascam DA-P1, Fostex PD-2, Teac DA-P20;
Shotgun Microphones: (2) Sennheiser 416, Audio Technica 4073a, 4071a, 897, 835b, (2) 851R;
Lavalier Microphones: (2) Sanken COS-11, (3) Tram TR-50, Countryman B6, PSC Millimic, Senn ME2;
Wireless Systems: (3) Lectrosonics 201, (3) Lectrosonics U100, (6) Sennheiser ew122p G2;
Shockmounts: (2) Rycote Modular Windshield, (3) Rycote Softie System, (2) Audio Technica AT8415;
Boom Poles: (4) K-Tek KE89cc boom pole, (2) Lightwave Audio GT-10c;
Timecode: Denecke TS-C Timecode Slate;
Headphones: (4) Sony MDR-7506, (3) Audio Technica M40fs,
IFB: Comtek IFB System – (1) transmitter, (6) receivers
Cables: All necessary cables (boom duplex, camera breakaways, various xlr cables);
Misc: PSC Headphone distribution amp, Boom Mate boom holder, 3” monitor, portable power.

Studio Equipment
(partial list)

Microphones: Shure KSM-27, AKG C3000b;
Monitors: Mackie HR824, Event TR8, Alesis ProActive 5.1;
Amplifier: Alesis RA-100;
Headphones: BeyerDynamic DT770, AKG K240M, Sony MDR-7506;
Synthesizers: Korg T1, T3, Z1, Novation X-Station, Roland E-30;
Controllers: Fatar Studio 90 Plus (88 key), Behringer BCF2000;
Audio Interface: M-Box, Digi 002, Behringer BCA2000;
Midi Interface: Emagic AMT8;
Outboard FX: Focusrite Platinum Trakmaster Pro, ART MDC2001, Roland GP-16 guitar fx processor;
Digital Audio Workstations: #1: Logic Audio Platinum; #2: Giga Studio; #3: Pro Tools;
Sonic Conditioning: Auralex absorption, diffusion, & bass traps.